Tatiana Reclining

Life drawing
“Tatiana Reclining I”, drawn from life 2025, vine charcoal, charcoal and chalk pencil on toned paper, 12″ x 9″
“Tatiana Reclining II”, drawn from life 2025, vine charcoal, charcoal and chalk pencil on toned paper, 12″ x 9″

Drawn at Soho Life Drawing, both around 20 minute poses. After a few struggles trying to capture some of Tatiana’s exquisite, classical poses in sanguine pencil, I switched to vine charcoal – which is usually a bit too messy and clumsy for paper of this size. But what it did allow me to do was stop trying to capture detail, and use loose, movable sweeps of shadow to define the main areas of light in relief. I probably looked incredibly awkward as I tried my hardest to squint away anything other than the main sweep of the figure. Only after I felt like I had the broad proportions laid down did I try to use some more specific marks to round out the musculature of the back and the lower body. At this scale, I didn’t feel like I wanted to refine these any further. I added some white chalk pencil to capture the top-down lighting in the room and create some lift from the paper.

Sketches

Life drawing
Tatiana drawn from life at Isolation Art, 2025, charcoal and chalk pencil on sugar paper
“Summer”, 2025, sanguine and chalk pencils and pencil crayon on toned paper, A5
Tatiana drawn from life at Isolation Art (quick pose), 2025, sanguine pencil on paper
Drawn from life 2017, chalk pastels on toned paper
Drawn from life 2018, charcoal pencils on coloured sugar paper
Drawn from life 2017, vine charcoal and chalk on coloured sugar paper
Carla drawn from life 2017, vine charcoal and chalk
Drawn from life 2018, vine charcoal, charcoal pencil, and chalk on coloured sugar paper
Jules drawn from life 2018, vine charcoal, charcoal pencil and chalk on toned paper
Drawn from life 2018, vine charcoal, charcoal pencil, and chalk on toned paper
Reclining pose, drawn from reference image 2017, charcoal pencils on toned paper
Drawn from life 2018, vine charcoal, chalk, and chalk pastel on coloured sugar paper
Drawn from life 2018, vine charcoal, chalk, and charcoal pencils on toned paper
Drawn from life 2018, vine charcoal, chalk, and chalk pastel on coloured sugar paper
Drawn from life 2017, charcoal pencils on toned paper
Drawn from life 2017, vine charcoal and chalk on coloured sugar paper
“Esther”, drawn from life 2025 at Candid Arts Trust, vine charcoal and compressed charcoal on toned grey Canson paper
“JM”, drawn from reference 2019, pastel pencils on toned paper
Drawn from life 2017, vine charcoal and chalk on toned paper
Drawn from life 2017, vine charcoal on paper
Drawn from life 2023, vine charcoal on paper
Drawn from life 2023, sanguine and chalk pencils on toned paper
Drawn from life 2019, vine charcoal on paper
London Drawing 2022, vine charcoal on paper
Drawn from life 2025, sanguine pencils on toned paper
Drawn from life 2025, sanguine and chalk pencils on toned paper
Drawn from life 2017, vine charcoal and chalk on coloured sugar paper

Jules

Life drawing
“Jools’ Strain”, 2018, vine charcoal and pastel on sugar paper, 10″ x 14″

Drawn from life at The Moon and Nude Clapham, October 2018.

Jools only modelled for us once at the pub in Clapham, but she was a) very friendly and b) an extremely accomplished dancer and yoga practitioner, which came across in her extraordinary ability to hold this pose for 20 minutes. This sketch may not be one of my most polished, but I do really like the dynamism and at least partially successful attempt to interpret the fantastic pose.

Available.

Valentina

Life drawing
“La Regina”, 2019, sanguine pencil on ivory toned paper, 20″ x 16″

Drawn from life at The Moon and Nude Clapham, March 2019.

This was the first time I’d ever spent so long on one drawing from life – around an hour or so, with some additional detail work added sporadically over the days that followed (very sporadically – I would often sit and stare at the page for 30 minutes or so before committing to a small pencil mark). Yet, the drawing itself came together remarkably quickly considering how slowly I usually move on these things! Our model Valentina gave us such a bold and strong pose, she struck me as being very regal (hence the title), although in life drawing sessions she’s always remarkably approachable and friendly.

Available framed.

Sofia & Sugar

Life drawing
“Guardians”, 2019, charcoal pencils on toned tan sketchbook, 12″ x 12″

Drawn from life at Candid Arts Trust Islington, October 2019.

Drawn as part of a Hallowe’en special event (I took the day off work for it to attend in the afternoon; my other blog at Rewind will probably explain better why I love the festival so much), this pose felt really powerful. I added a few little flourishes – blacked out eyes for Sugar, whited out for Sofia, to emphasise their preternatural calm. I loved working with the contrasts and the similarities, and the way they seemed to complement each other so easily.

Available.

Natsumi I

Life drawing

Drawn from live online life drawing session with LiveArtOnline and finished from reference images, June 2020.

Natsumi is a tremendously athletic model, able to hold almost impossibly graceful poses for great lengths of time. I’ve often struggled a little when sketching Natsumi in person because I tend to get intimidated by these wonderfully balletic angles that I’m not sure my clumsy hands can interpret properly. Even here, with the benefit of being able to draw from reference videos at my own pace, I don’t think I was light enough to entirely do these justice, but I was inspired by the coiled energy followed by the energetic release, the tension held within the limbs even when seated.

Available as a pair.

Carla II

Life drawing
“Carla In The Spotlight”, 2019, charcoal pencils on toned tan sketchbook, 12″ x 12″

Drawn from life at The Moon and Nude Clapham, September 2019.

A longer pose captured, with great luck, on a 12″ x 12″ square scrapbook that proved very unforgiving when trying to erase mistakes, of which there were (for once) relatively few. Sprawled across a sofa and a bar stool, Carla absolutely transcended the mundane pub function room surroundings and looked like a total megastar.

Available.

Solfrid I

Life drawing
“Sol Seated With Stretch”, 2019, sanguine pencil on card, 14″ x 9″

Drawn from life at The Moon and Nude Clapham, May 2019.

Sol is always so generous in these sessions, and even in longer poses will seek to offer something to latch on to and create interesting shapes. This was probably around 30 minutes, using a Derwent dark sanguine pastel pencil on an unusual piece of very thick dappled card I found somewhere. The surface was remarkably smooth but had a very nice off-white staining across it.

Available.